Black Face, White Mask
to keep deep
a distance from which they
can’t see in me
a distance from which
I can’t feel me in me, I’m
Indoctrinated an ala-baster’d self-hate
to paint my black face beneath
white powdered lies and alibis
relegated a caste clown face,
when all lives matters why my face,
why make-up my face a cash
cow clown,
a round the
clock house negro selling out
to sold out crowds of
ala-baster’d men
making me up in make-up
to cover up my pain,
my disgrace, my fate of white
powdered self-hate
they paint dark faces
of darker races
when all lives matter,
with bleaching cream screams,
I white powder me
so that I can’t see black in me,
so that I keep skin
deep distance between
black me and wanna be white
me you've
brainwashed me to be
no upside on the down side
of the flipped up side of a
frown
on a made up clown,
made up in white face make-up to be
the grinning black faced white
clown fool,
the court’s jester dressed in mental slavery,
an inner circle fool entertaining, juggling
peddling bi-pedaled tricycles around a three ringed
outer circle of circular white lies and alibis
Bio:
Poet
Neal Hall is a medical-surgical eye physician and graduate of Cornell and Harvard Universities.
An internationally acclaimed poet, he has composed poetry and performed readings throughout
the U. S. and internationally to include: Kenya, Indonesia, France, Jamaica, Morocco, Canada,
Nepal, Italy, Ghana, Japan, India and Germany. Dr. Hall is an award-winning author of four books of poetry: Nigger For Life, reflecting his
painful discovery, that in “unspoken America," race is the one thing by which he is first judged,
first measured and metered diminished value, dignity, equality and justice. Winter’s A’ Coming
Still reflecting the more things are said to change, the more things are made to stay the same.
His third book is Where Do I Sit. Appalling Silence represents selections of his work translated
into Telugu and Urdu and published in India. His sixth book Door of No Return will be released
in the fall of 2017.
His work has been translated into 5 additional languages: Bengali, Kannada, German, Japanese
and Italian. The latter translated (5th book) for a Critical Edition of his work in Italian to be
published in Rome, Italy. Three collaborating Italian scholars performed the translations and
critical analysis. Professor Kazuteru Omori, Director, Dept of African American Studies, Hokkai
Gakuen University, Sapporo, Japan, has translated a collection of Hall’s work into Japanese. The
collection is to be published in Japan.
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